Distance of a shadow

Distance of a shadow

Distance of a shadow

Designing an art installation in North Wales

Designing an art installation in North Wales

Designing an art installation in North Wales

A line of posts as part of the art installation, photographed in a studio
A line of posts as part of the art installation, photographed in a studio
A line of posts as part of the art installation, photographed in a studio

As we approach the shortest day of the year, the hours of sunlight reduce and the sun is lower in the sky. Shadows extend further and further from their source, into the landscape.

The installation in the grounds, next to Hawarden Castle
The installation in the grounds, next to Hawarden Castle
The installation in the grounds, next to Hawarden Castle

We were commissioned by Charlie Gladstone and Hawarden Estate Experience to design and produce the installation for their winter 2021-2022 exhibition. 12 artists and designers took part, with works set across the farm shop grounds in Hawarden, North Wales.

Set across 1,962 sq m, we designed an interactive installation to encourage visitors to explore light and shadow during winter. Visitors can walk through the markers to measure the distance shadows fall on different days and times, highlighting how light changes throughout the year.

The installation comes to life visually through a grid-like framework of wood-stained markers signifying the distance the shadow is falling from the visitor. There are 16 markers set out in 10 m intervals, from 0 m to 50 m.

  • The installation in the grounds, next to Hawarden Castle
  • The installation in the grounds, next to Hawarden Castle
  • The installation in the grounds, next to Hawarden Castle

“Adam created something for us that is not only elegant (deceptively so) but also genuinely thought provoking. You need to look at it and then dive into it and try to figure it out. Take time and get involved; it will reveal itself and it’s great.”

Charlie Gladstone
Hawarden Estate Experience

The installation continues after sunset with spotlights sequenced to alternate, creating a pattern of light in place of the sun, enabling explorers to gain a new perspective of light and shadow.

The installation at night
The installation at night
The installation at night

Referencing the movement of the sun, the type rises across each face of the post. The type also connects from one face to the other, allowing it to be read from all sides.

A gradient of colour spans the installation. We utilised off-the-shelf wood stains, more commonly used for garden sheds or furniture. With two coats applied, the posts have a solid protection from the elements in North Wales. Colours used: clear, mustard yellow, marigold, baby pink, lilac and cornflower.
A line of posts as part of the art installation, photographed in a studio
A line of posts as part of the art installation, photographed in a studio
A line of posts as part of the art installation, photographed in a studio
  • 0m post
  • 10m post
  • 20m post
  • 30m post
  • 40m post
  • 50m post

The ground impact was a careful consideration for the installation. By using a ground spike, more commonly found in fencing, the installation has strength — when removed from the site, it doesn’t leave a trace. It’s similar to a giant tent peg, which ties in well with the field’s purpose for camping during the summer months.

One of the supports for the installation
One of the supports for the installation
One of the supports for the installation
One of the supports for the installation
One of the supports for the installation
One of the supports for the installation

We utilised UK-grown hemp as a hemp fibre panel for the lettering and numbers — one of the first applications of its kind. The material was chosen for its sustainability and reddy-brown colour which contrasts with the warmth of wood-stain beneath. Each component has a unique patina and structure to it, especially when the sunlight catches it.

The Hemp components that make up the numbers on the posts
The Hemp components that make up the numbers on the posts
The Hemp components that make up the numbers on the posts